The Dramaturg and the Conductor

He is no quiet scribbler, but a passionate arranger of words and worlds. His pen works like a baton: sometimes precise, sometimes lavish—always determined to bring order to creative chaos.

In his double role—conductor in everyday life and dramaturg with a sharpened pencil—he leads his audience along the narrow gangways between project management and the opera stage. For him, risk analyses are overtures; a PMO is an extension of the conductor’s baton; and every project closeout is nothing less than a triumphant finale con fuoco.

His style: pointed, tongue-in-cheek, with a touch of grand theatre—like a tenor hitting the final, glorious high note. He collects stories the way others collect souvenirs, then weaves them into scores where spreadsheets suddenly sing arias and Gantt charts crash into Wagner in full orchestral force.

The Operaneum is his personal libretto: a work that shows that project management knows not only numbers and structures, but just as much drama, passion, and splendor as any great opera.